Friday, 9 December 2016

It`s arrived!!

I`m over the moon and excited to blog that
 my Maeshowe design jewellery is officially on sale today!!

And I`ve received my piece in the post, take a look..........

It`s soooooooo beautiful, I love it!!!!


To my surprise and delight there was a card inside the box stating it was me
 that designed it,how fantastic is that!!!!

To see the full range and if you wish to purchase a piece it`s available from the Skara Brae gift shop in Orkney, The Castle gift shop at Edinburgh Castle and on line from Historic Scotland.

Pier Arts Centre Christmas Open 2016



This years PAC Christmas Open Exhibition yet again demonstrated the sheer wealth and diversity of  Orkney`s artistic community. It was a huge show with over 250 works submitted,
it was spread over three floors and occupied seven rooms of the gallery space!
Artists had taken inspiration from a broad range of subject matter- from the land and sea,
flora and fauna to the more abstract and conceptual and expressed this through painting, drawing, sculpture, photography and craft.

The exhibition flowed effortlessly guiding the viewer from room to room
 through thematic links.......

The pieces hung in entrance corridor was like an introduction to the building reflecting
 it`s architecture and location through linear lines and colour
but also made visual connections to the Piers contemporary collection.


The gallery to the right had pieces that referenced the sea in various ways.

My favourite piece from the whole exhibition was this
 by Marion Yorston, titled `Chlorophyll`
(sculpted resin&light box) 



My sculptures were in this room and cleverly placed to lead your eye
through to the `harbour view` space seen below...........
There was a mixture of media on display here from ceramics, wood work, tapestry
and painting which beautifully complimented one another
 In the passage leading to another gallery was this treasure trove of bits&pieces
 by Rachel Blair titled `Working Collective`


Photographs were displayed in the small room at the back of the Pier,
they varied quite a bit in subject matter but this one caught my eye...

David Gray, `Rebus`
There was also some lovely glass pieces on display.....

Donna Eunson, `Ocean Ripples`
fused&slumped bullseye glass.

Joan Holdsworth,`Lucido`
bullseye sheet glass
I also admire Fiona Sanderson`s metal works, it has a real
tactile quality about it and I loved the colours of the this copper panel below.


The long gallery had mainly sea scape pictures but what I especially liked in here
was the visual separation created by the hanging knit wear.


The gallery from here was the `cathedral room` with many of the works inspired by
the St Magnus cathedral or had religious references........


This cornice stone  was hand-cut in limestone by Ross Kennedy,
it reminded me of Ben Nicholson`s collage and sculptural works and
looked right at home in the Pier!
The works up on the second floor were clearly influenced by the  `flora and fauna`
with each individual artist using a variety of media to express this.


This re-interpretation of Salvador Dali`s famous painting `The Persistence of Time` 
was brilliant and brought a smile to my face.
Barbra Morrison,`The Persistence of Quilting`
applique&quilting

On the top floor gallery an assortment of subject matter depicting life over
 and under the sea was on display.



This is truly an inspirational and eclectic collection of works!
Weather you love art or hate it, I believe there is something for everyone at this exhibition
and would thoroughly recommend anyone to take a look.

 The exhibition runs til the 24th of December. 

Wednesday, 30 November 2016

What Are We Like

This is to be a very quick post as this exhibition finishes tomorrow!



Held in the Northlight Gallery in Stromness, Cary Welling (the gallery owner) has brought together
 `a collection of artworks that challenges the simple dictionary definition of a portrait as a likeness of a person; it includes a range of approaches to portraiture, from the straightforward (but difficult) attempts to capture a likeness in pencil, charcoal, paint or photography to abstract representations of person, family or state of mind.`

Overview of exhibition

Second from right is my intaglio plate family portrait (2016)




On the left is a self-portrait made using perspex, pins & monofilament.



Each `portrait` was unique in it`s own special way with the artists using 
various techniques to capture the `essence` of the people being portrayed.
There are to many works and artists for me to name individually so I have 
chosen a few that I particularly liked.........

Deanie Welling, self-portrait.
`Out of the bag`, monoprint.
Tom O`Brien , `Organ Maker`
Gum bichromate.

If you have a few moments this afternoon, tonight or tomorrow,
I highly recommend you pop along and see this show!!






Thursday, 24 November 2016

Maeshowe Jewellery Competition

To celebrate the Year of Architecture, Innovation and Design, Historic Scotland in collaboration 
with Ortak Jewellery announced an exciting competition to design a range of jewellery 
that reflected the history and mystery of Maeshowe, a 5000 year old tomb set in the 
Heart of  Neolithic Orkney World Heritage Site.
It was available to all creative students across Scotland with the winning design
being manufactured by Ortak, to then go on sale at both Edinburgh Castle and Skara Brae. 

My story starts back in May when I picked up an entry form from a canteen table at Orkney College, little did I know then that I`d become the over all winner of this fantastic competition and
have my designs transformed from sketches on paper into beautiful pieces of jewellery.

Summary of my design process to jewellery production!

The project brief given by HES & Ortak was to design a contemporary but commercial range
 of jewellery using key themes such as but not limited to, Neolithic life, Viking runes or
 the Winter Solstice. The aim to reflect Maeshowe and it`s themes in a design which could include a necklace, earrings, ring and bracelet. The format was for the designs to be illustrated or sketched, and presented alongside a 500 word document detailing your inspiration and vision for the range as well as documenting your creative process.

Research and inspiration

Maeshowe is an iconic structure within the Orkney landscape and is illustrative of Neolithic society`s belief system and world views through it`s architectural form, alignment with the mid winter sunset and its association with the other monuments with in the area.
I went to visit Maeshowe, to `get a feel` of the area, it made me aware that people going
there today have the same visual experience as those of the past and because Maeshowe has `stood the test of time` we can still observe the phenomenon of the winter solstice, a time that was special to the Neolithic so I centred my design round these concepts.

View  from top of MH  with surrounding landscape , in the background
is the Stones of Stenness and Brodgar. (my own image)
Ariel view of MH (image from The History Hub)
http://www.thehistoryhub.com/maeshowe-facts-pictures.htm


Winter solstice from inside MH (image by C.Tait)
http://www.maeshowe.co.uk/index.html
I also understood the importance of the Barnhouse Stone with it`s alignment to MH 
and introduced it into the design with a symbolic reference to the other monuments.

Barnhouse Stone looking towards MH (my own image)

Preliminary sketches


These are the initial sketches/notes and my way of visually exploring
the ideas/concepts of the final design.
Final design

After a number of weeks researching and doodling the finished design emerged with
a range of jewellery that consisted of a necklace, ring, bangle and 3 pairs of earrings
with the option to use oxidisation or enamel to enhance the design.

Drawing of oxidised necklace with Barnhouse Stone and jump ring fastener.
The jump ring had 12 points engraved to represent the calendar months.
The profile of pendant (bottom L) was to reflect the topography of landscape.
Example of  enamel earrings using elements from necklace. 
Suggested colourways to reflect the natural features
such as water, landscape and sunlight.
At the end of my entry form document, I made this statement "my design has been inspired by the circular form of Maeshowe, it`s status within the physical and symbolic landscape and their inextricable link with the winter solstice. The piece has layers of meaning that are the legacies of Neolithic Orkney which still can be experienced today. I see it as a piece to evoke the timeless relationship between then and now keeping alive the history of this wonderful landscape." and this basically sums up my inspiration and vision for the piece.

I emailed my submission to Historic Scotland and on the 4th of August, a panel of judges 
declared my design as the over all winner of the competition. Needless to say I was absolutely delighted and in September the process of transforming my sketches into actual jewellery began.......

The end result

Ortak made a fantastic job of interpreting my drawings 
to create these wonderful pieces of jewellery. 

Below is a small example of range with 11 pieces in total......


....and these will be available to buy from Edinburgh Castle, Skara Brae
 and on line from  Historic Scotland in early December 2016. 


As part of this incredible experience I worked with Historic Scotland`s communications team,
 these are the people who organise all the publicity surrounding the launch event.
This began in November with an article in HS members magazine.



And on the 21st of November an official news release was issued
 to the media and it went out live on HS web site. 

These are links to some of the web sites featuring the my design and it`s story

 I have also been amazed by the response from family, friends and well wishers.
A BIG thank you to everyone for the lovely comments made and I really appreciate those 
who have `liked & shared` me on Facebook, Twitter etc.

That just leaves me to say it`s been a real privilege to have experienced ALL this 
and I can`t wait for it to go on sale!!




Friday, 18 November 2016

Introducing MoTI


`Introducing MoTI` is the first exhibition to be held by this recently formed group of artists.
Together and with the backing of the National Creative Learning Network, they intend to 
provide one another with support and career development, post graduation.
The theme of the show is `time` and was chosen to reflect the transition from student to 
emerging artist with each of them approaching this subject in their own particular way.

Overview of gallery



Louise Barrington
`Mu-5`(2016)
These works are beautiful and capture the essence of movement and time.

Susan Boyd
`The Lodge at Germount`
Digitally manipulated images bringing new life to old discarded family photos.
There was 6 in total but this one caught my eye, it`s true
what they say `a picture can paint a 1000 words!`

Frances Scott
`75 hrs, 21 mins`
These digital prints record the time, distance and snapshots of 23 individual walks
taken by the artist over a 7 month period. These reminded me of Dan Lee`s
alternative mapping methods used during his `Map Orkney Month` last year!

Sigard Smith
`Fragmentation 1, Fragmentation Collection & Fragmentation IV`
These works reflect the free-flowing processes of memory, capturing an abstract
 moment in time relating to the Orkney landscape.

Mary Grieve
`Waiting`
Mary uses stop frame animation to document small human interactions
and enjoys making them into stories. This piece demonstrates this with a
small turn of a handle , one of the characters starts gently rocking a baby. It was
subtle but very effective, I even started making up my own story!!

Kristyn Grieve
`Boy`
These water colours on baby wipes was such an innovative way to bridge the gap
between the creative urge of an artist and the necessities of everyday life in motherhood.

It is well worth going to see this exhibition, not only to support these young emerging artists but to enjoy the individual  `time themed` perspectives they have which is both evocative and delightful!!